Your brand blue looks perfect on business cards, then it prints a little purple on a brochure. Sound familiar? Color shifts happen fast, because ink, paper, and press settings all change the result. The good news is you can choose spot color, CMYK, or a mix based on what you’re printing, what you can spend, and how exact the match needs to be.
A spot color is a pre-mixed ink printed as a single, solid color. It’s often specified with Pantone (PMS) so different printers can aim for the same target. If your logo depends on one strong, flat color, spot ink is usually the most repeatable option from run to run.
CMYK (process color) prints with four inks, cyan, magenta, yellow, and black, using tiny dots that visually blend. It can create lots of colors, but “your brand blue” is really a recipe, and that recipe can look different on coated vs uncoated paper, or on different presses.
In 2026, calm neutrals are popular (Pantone’s Color of the Year, Cloud Dancer, is a soft white-gray), and those subtle tones make consistency even harder if you rely on process-only builds.
Spot ink shines when you need the same color across vendors and materials: logo marks, solid color backgrounds, premium stationery, and packaging where shoppers compare items side by side. It’s also the go-to for metallics, fluorescents, and printing on darker stocks where ink opacity matters.
Choose CMYK when your design uses photos, gradients, or lots of colors. It’s often cheaper for full-color pieces and shorter runs. To stay on-brand, set a brand-approved CMYK build for key colors, then proof it on the exact paper stock you’ll print.
Use spot ink for the primary logo color(s), then use CMYK for images and supporting graphics. Break that rule when the piece is photo-heavy, or when budget matters more than a perfect match.
Mixing both is common and practical: spot keeps your brand anchor stable, CMYK handles everything else.
Examples:
Setup tips: name spot swatches correctly (PMS), keep the logo as vector, and confirm spot colors don’t get converted to process on export. Ask your printer how they prefer rich black, overprint settings, and trapping.
